«red bridge project» | photo contest
Three weeks ago, we asked you to take part in our «red bridge project» photo contest on Facebook and Instagram - and we were overwhelmed by your great pictures and positive reactions. A special thanks goes out to everyone who shared their photos with us.
Here is a selection of beautiful «red bridge» pictures entered in the contest - enjoy!
Above is the winning picture on Instagram by 040o.
The Instagrammers tagged their pictures #redbridgeproject - some of them even tagged their existing post, so you can now see the evolution of the Rout Bréck Pont Grande-Duchesse Charlotte over time when looking for this hashtag.
Photos in the Slideshow below: jazzy_mess on Instagram
This picture with a beautiful twist by Patrik Österblad was the winner on Facebook.
This colourful shot was taken by Christophe Mendes.
Markos Giannopoulos took his picture on a beautiful February morning.
An unusual view of the known landmark by gretelsdiaz on Instagram
Another perspective by Nena Milostev.
Beautiful shots by Yvon Schubert, Zsolt Varga, Karol Nasiolkowski, David Heltemes and Philippine Griveaud.
Many thanks to everyone who participated and put the «red bridge project»'s namesake in perspective!
Concerts
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21.03.2018 19:00Dating & «Messiaen: Des canyons aux étoiles»
Has already taken placeFirst part: moderated concert (in French) (19:00)
Second part: complete performance (20:15)
Olivier Messiaen’s imposing hymn of praise to the Earth, from its ravines to the stars, is a work of sweeping beauty and transcendence. To start the evening, Jean-François Zygel introduces Des canyons aux étoiles, together with the ensemble intercontemporain. The work is then performed in its entirety with a visual interpretation by Ann Veronica Janssens, an artist in light with whom Anne Teresa De Keersmaeker has regularly collaborated.
(en français)
Kulturpass, bienvenue!
Avec le soutien de Swiss Re – partenaire des Lucerne Festival Alumni
Dans le cadre du «red bridge project» -
07.04.2018 20:00, Grand ThéâtreDe Keersmaeker – «Achterland»
Has already taken placeAchterland is a seminal choreography in Anne Teresa De Keersmaeker’s highly individual body of work. it was for this 1990 production that she first wrote specific dance material for men, adding three male dancers to her then redominantly female company. The dominant femininity and minimalism of several earlier rosas pieces give way to an ambiguous no man’s land, playfully blurring boundaries and signs with dancers performing around a violinist and a pianist in the centre of the stage.Coproduction De Munt/La Monnaie et Concertgebouw Brugge
Dans le cadre du «red bridge project» -
14.04.2018 14:00, Mudam, LuxembourgDe Keersmaeker − «Work/Travail/Arbeid»
Has already taken placeWhat would it mean for a choreography to be performed as an exhibition? In 2015, Anne Teresa De Keersmaeker reimagined her piece Vortex Temporum, created in response to the polyphony of the eponymous masterpiece of Gérard Grisey, for the radically different temporal, spatial, and perceptual conditions of a museum environment. red bridge project presents Anne Teresa De Keersmaeker’s epoch-making work Work/Travail/Arbeid, previously shown at Wiels, Tate modern, Centre Pompidou, MoMA, for two days at Mudam.
The performancestarts at 2pm and ends at 7pm.
The audience is free to come and go as they please.
Work/Travail/Arbeid was initiated by WIELS Contemporary Art Centre and Rosas and has been made possible with the support of De Munt/La Monnaie, Bozar Centre For Fine Arts, Kaaitheater, Kunstenfestivaldesarts, Ictus, BNP Paribas Fortis, Fondation BNP Paribas, WIELS Patrons, and Rolex Institute. Rosas is supported by the Flemish Community.
Dans le cadre du «red bridge project» -
15.04.2018 14:00, Mudam, Luxembourg
De Keersmaeker − «Work/Travail/Arbeid»
Has already taken placeWhat would it mean for a choreography to be performed as an exhibition? In 2015, Anne Teresa De Keersmaeker reimagined her piece Vortex Temporum, created in response to the polyphony of the eponymous masterpiece of Gérard Grisey, for the radically different temporal, spatial, and perceptual conditions of a museum environment. red bridge project presents Anne Teresa De Keersmaeker’s epoch-making work Work/Travail/Arbeid, previously shown at Wiels, Tate modern, Centre Pompidou, MomA, for two days at Mudam.
The concert starts at 2PM and ends at 7PM.
The audience is free to come and go as they please.
Work/Travail/Arbeid was initiated by WIELS Contemporary Art Centre and Rosas and has been made possible with the support of De Munt/La Monnaie, Bozar Centre For Fine Arts, Kaaitheater, Kunstenfestivaldesarts, Ictus, BNP Paribas Fortis, Fondation BNP Paribas, WIELS Patrons, and Rolex Institute.
Rosas is supported by the Flemish Community.
Dans le cadre du «red bridge project» -
04.05.2018 20:00, Grand ThéâtreDe Keersmaeker / Queyras – «Mitten wir im Leben sind/Bach6Cellosuiten»
Has already taken placeThis project pays tribute to Johann sebastian Bach’s Cello Suites that are performed in their entirety by world-renowned cellist Jean-Guihen Queyras. The collaboration between Anne Teresa De Keersmaeker and Jean-Guihen Queyras was born out of a shared interest in musical analysis as a starting point for their interpretations. in this new production, Bach’s score is illuminated by a choreography for three male and two female dancers, including Anne Teresa De Keersmaeker herself. Both the individual character of the six suites and their interconnections emerge from this riveting symbiosis of music and dance.
Production Rosas
Coproduction De Munt/La Monnaie, Ruhrtriennale, Concertgebouw Brugge, Le Théâtre de la Ville avec le Festival d’Automne à Paris, Sadler’s Wells, Théâtres de la Ville de Luxembourg, Opéra de Lille, Ludwigsburger Schlossfestspiele, Elbphilharmonie et Montpellier Danse 2018
Dans le cadre du «red bridge project» -
05.05.2018 20:00, Grand Théâtre
De Keersmaeker / Queyras – «Mitten wir im Leben sind/Bach6Cellosuiten»
Has already taken placeThis project pays tribute to Johann sebastian Bach’s Cello Suites that are performed in their entirety by world-renowned cellist Jean-Guihen Queyras. The collaboration between Anne Teresa De Keersmaeker and Jean-Guihen Queyras was born out of a shared interest in musical analysis as a starting point for their interpretations. in this new production, Bach’s score is illuminated by a choreography for three male and two female dancers, including Anne Teresa De Keersmaeker herself. Both the individual character of the six suites and their interconnections emerge from this riveting symbiosis of music and dance.
Production Rosas
Coproduction De Munt/La Monnaie, Ruhrtriennale, Concertgebouw Brugge, Le Théâtre de la Ville avec le Festival d’Automne à Paris, Sadler’s Wells, Théâtres de la Ville de Luxembourg, Opéra de Lille, Ludwigsburger Schlossfestspiele, Elbphilharmonie et Montpellier Danse 2018
Dans le cadre du «red bridge project»
